Th Future of Hip Hop Essay -- Hip Hop Music, Total Chaos

From its excogitation in the 1970s and throughout the 1980s, pelvic arch hop was a self-contained entity within the community of interests that created it. This means that altogether the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesnt tract the same experiences that drive the music. An artists success hinges on pleasing consumers, not the community. In todays world, it isnt about music that rings true for those who dowery the artists experiences, precisely instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of coxa hop. In core Chaos, Jeff Chang references Harry Allen, a pelvis hop critic and self-proclaimed articulatio coxae hop activist. Harry Allen compares the hip to(predicate) hop movement to the Big Bang and poses this complex question whether pat is, in fact a closed universe-bound to recollapse, ultimately, in a power plant akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead (9). An often hear phase, hip hop is dead, refers to the high occurrence of gangster rap in mainstream hip hop. Todays hip hop regularly features grim youths posturing as rich thugs and indulging in expensive merchandise. The hip hop is dead perspective is based on the belief that hip hop was destined to become the model of youth resistance and well-disposed change. However, its political ambitions have yet to emerge, thus giving rise to hip hops criticisms. This essay will examine the past and present of hip hop in o... ... in which the expansion never ends, but all vitality is lost. The past shows us that hip hop has transformed and evolved it doesnt have to end and it doesnt ha ve to lose its momentum. Works CitedChang, Jeff. Total Chaos The Art and Aesthetics of pelvis-hop. New York BasicCivitas, 2006. Print.Farley, Christopher J. Rapper Nas Says maybe articulatio coxae skitter Isnt Dead After All. Wall Street Journal, 20 May 2010. Web. Merwin, Scott. From Kool Herc to 50 Cent, the Story of Rap -- so Far. Pittsburgh Post-Gazette, 15 Feb. 2004. Web. Nas. 2006. Hip skip over is Dead. Hip Hop is Dead. Def Jam Recordings.Nas. 2006. Hope. Hip Hop is Dead. Def Jam Recordings.Rose, Tricia. The Hip Hop Wars What We Talk about When We Talk about Hip Hop - and Why It Matters. New York BasicCivitas, 2008. Print.Williams, Saul. 2004. Telegram. Saul Williams. Fader Record Label.